Top Oscar Snubs

Well, I guess we have put this past year of movies to bed after the Academy Awards played themselves out. After 17 nominations, Meryl Streep finally got her third Oscar. Even though Streep won the Golden Globe and more recently a BAFTA awards for her performance in The Iron Lady, Viola Davis had started closing the gap on Streep’s frontrunner status, gaining momentum as a possible Oscar favorite after her SAG award win for her performance in The Help. Both lead acting categories seemed too close to call going in. George Clooney and Jean Dujardin were neck and neck as well, both of them splitting other awards the way Streep and Davis did. Although I wouldn’t really consider these big Oscar snubs, there certainly have been some in the past. Here are my top 3 Oscar snubs of all time.

Saving Private Ryan. I know I just got through suggesting you watch Shakespeare in Love for Valentine’s Day. Shakespeare in Love is a very good film, one I enjoy watching from time to time. But Shakespeare in Love was not near the film that Saving Private Ryan is. In my opinion, it is the best movie about WWII ever put on film. Spielberg won for best director, and probably won it in the first 20 minutes of the movie, during the Omaha beach landing sequence. WWII Veterans and most of America seem to think that Saving Private Ryan was the Best Picture that year.

Ralph Fiennes in Schindler’s List for Supporting Actor. Maybe this was a case of Schindler’s List taking home too many awards already and the Academy feeling like they needed to share the love with some other films. Fiennes lost to Tommy Lee Jones as Sam Gerard in The Fugitive. Sure, Jones gave a nice performance, but it was nothing compared to Fiennes playing the merciless nazi Amon Goeth– a truly scary performance that should have been honored.

All The President’s Men, Network or Taxi Driver. Heck, any of these three would make for a better Best Picture than Rocky. Especially Network, which gave us the line “I’m as mad as hell, and I’m not going to take it anymore.” Network had an all-star cast with Robert Duvall, William Holden and Faye Dunaway, each of whom gave top performances, and Peter Finch, who posthumously won the Best Actor Oscar. Even Taxi Driver had the great Martin Scorsese and Robert DeNiro going for it. I guess at that point, Scorsese was out of favor with the Academy, so he was doomed to lose. What a great year for film, and what a disappointment to have Rocky taking home the prize.

There are so many upsets that have taken place over the years. Crash over Brokeback Mountain — although it was an upset, I think they got that one right. How Green Was My Valley over Citizen Kane. Ordinary People over Raging Bull, with another Scorsese film taking the hit. What are history’s biggest snubs or Oscar upsets, in your opinion? And please . . .  as always . . .

No talking or texting during the feature presentation.


2012 Oscar Nominations & Frontrunners

And it’s official, the nominations are out for the 84th Academy Awards. This time last year, it was already down to a two horse race between The Social Network and The King’s Speech for Best Picture, and the best actor and actress awards were all but locked up by Colin Firth and Natalie Portman. This year, we have a few strong frontrunners, but the competition to take home an Oscar seems more challenging.

Could this be the year for George Clooney to nail down the Best Actor award for his performance in The Descendants? He was nominated two years ago in the leading category for Up In The Air and won a Supporting Actor Oscar for Syriana— and he has won the Golden Globe for The Descendants already. Clooney seems to be one of the Academy favorites these days, so if you had to make an early prediction, this might be a safe bet. I predict it will come down to him or The Artist’s Jean Dujardin.
Speaking of Academy favorites, is there any bigger favorite than Meryl Streep? This is now her 17th nomination, having won only twice for Sophie’s Choice in 1983 and Kramer vs. Kramer in 1980. Streep’s performance was spot on as Margaret Thatcher in Iron Lady, but there are two more to look out for in this category.

The first is Michelle Williams, who played the perfect Marilyn Monroe in My Week with Marilyn. She too has a few previous nominations for Blue Valentine and Brokeback Mountain. So she may get a few voters in the Academy thinking it is her time.

Glenn Close is in the same situation, having 5 previous nominations for the likes of Dangerous Liaisons and Fatal Attraction. Close gave a very daring performance portraying a man in Albert Nobbs. Two other actresses, Hillary Swank and Linda Hunt, have won oscars for portraying men in Boys Don’t Cry and The Year Of Living Dangerously.

And lastly, when you figure in Viola Davis in The Help, we are left with one tough category to pick. Streep has to be the odds-on favorite, but as much as the Academy likes nominating her, they also liking voting for someone else in the final ballot.

That brings us to the coveted Best Picture award. With the new nomination requirements, we have a different number of films nominated this year. The Artist (with its 1920s Hollywood glamor) and The Descendants (with its modern-day family drama) are certainly the two frontrunners at the moment. Both have already won Golden Globes for Best Picture in their respective categories. But I won’t discount The Help from the race quite yet either. Based on a bestselling novel, its humble story made audiences everywhere laugh out loud and then leave the theater touched. That combination spells success.  

If you haven’t seen some of the nominated films, get out there and go see them before Oscar night (Sunday, February 26) so you can judge for yourself. Just remember: no talking or texting during the feature presentation.

— Jim